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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Jerry Jerome
Jerry Jerome
Jerry Jerome

Jerry Jerome, c. 1912

Milton Kent
Portrait, cellulose acetate negative

Collection: National Portrait Gallery
Purchased 2015

Portrait of Jerry Ellis
Portrait of Jerry Ellis
Portrait of Jerry Ellis

Portrait of Jerry Ellis, 1999

Lewis Miller
Portrait, oil on Belgian linen

Gift of BHP Billiton 2003. Donated through the Australian Government's Cultural Gifts Program.

We are all family, 2016 by Peter McConchie

We are all family, 2016

by Peter McConchie
Image
Professor Suzanne Cory AC FAA FRS
Professor Suzanne Cory AC FAA FRS
Professor Suzanne Cory AC FAA FRS

Professor Suzanne Cory AC FAA FRS, 2016

Raelene Sharp
Portrait, oil on linen

Gift of the artist 2017

Elizabeth (Murray) 2000

Extremely generous and incredibly close

Magazine article by Michael Desmond, 2010

Michael Desmond examines the daguerreotype portraits created by American artist Chuck Close.

The Sands Brothers

Seeing stars

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores photographic depictions of Aboriginal sportsmen including Lionel Rose, Dave Sands, Jerry Jerome and Douglas Nicholls.

Andrew Sachs (‘Manuel’)

Star signs

Magazine article by Barry York, 2018

Barry York charts the course from childhood request to autographed celebrity portrait anthology.

Royal Solomon Islands Police Force recruits, Maranatha Hall, Honiara by Sean Davey

The art of peace

Magazine article by Sven Knudsen, 2018

Sean Davey captures the portrait of a nation renewed.

Lyndall Hobbs and Marilyn at the Come as your favourite blonde party, Blitz Club, London, 1979 Robert Rosen

Shiny, happy people

Magazine article by Glynis Jones, 2022

Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.

Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change...

NPPP 2017 exhibition essay
General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

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Canberra, ACT 2600, Australia

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency